Tuesday 19 March 2019

Reverse processing in B&W

To kick start our  Knowledge Share at E5 Process I did a session exploring reverse processing film and paper. This process is good for shooting directly onto paper in camera or making enlarged  negatives for an alternative print process
test stripping lith film for a normal exposure
1st development in Ilford PQ 1-9
inspect for max tonal detail
add exposure factor about 3 to 4 stops
some of the chemicals involved
in the bleach/etch bath and watch your image almost disappear
out a the bleach/etch bath once all the black has gone
into the clearing bath
a beautiful reverse image almost white at this stage
now back in for a 2nd development
inspecting for best reversed tonality
test clearly showing the effects of pre-flashing on silver density
2nd development
impressive reduction in contrast and densty with the right pre-flash

heavily stained film before clearing bath

after the clearing bath

a cyanotype print from the practise negative

In conclusion I was very impressed with how much density and contrast could be controlled by the amount of pre-flashing. For high contrast materials it seems a much better method than making an interpositive. Previous issues including increased contrast from copying, newton rings from sandwiched film material and dust are all eliminated with this method. The final cyanotype print gave me the type of contrast I like and had a different feel than a negative made via an interpositive or a digital negative.

Photographic Paper
We then tried some RC paper shot outside with a 5x4 camera
Once again - with the right exposure expect your image to be almost black in 1st dev.

giving a beautiful positive image in 2nd dev.
 top left image had actually looked best in the 1st dev
The resin coated paper was very straight forward but I would avoid fibre based or liquid emulsion coated paper due to the heavy staining from the dichromate

Tuesday 12 April 2016

Making a new ground glass screen

broke my 10X8 ground glass screen (very easily) so decided to

make a new oneout of 3mm (rather than 2)

After what seemed ages of grinding with stone polishing powder (was probably less than 10 mins)

rinsing with water then continuing on any missing areas - nearly there
Need to go over it with a finer grade powder now.

CSM Wet Plate weekend March 16

check out the eyes! with Marco van Welzen
nice to have so much space in the daylight studio

Great Daylight studios to work in 
Supplement the filtered UV with some Cool liltes
Full length Kino Flo -working well
5"X7" Ambrotype with James barnett
14" Cooke ww2 Aero lens F5.6
Bowens 3k Flash

glass cutting - a serious business
watching the image appear in the fix
nothing like black velvet to view your glass plate as a positive
brief washing - image of Laurence Tucker

De Vere 10X8 camera with the excellent Cooke 14" Aero lens
Photo: James Barnett